Terre Abandonnee Full Movie

LaTerre Abandonnee: Directed by Gilles Laurent, camera by LaurentFenart. Running Time: 73 minutes.

Rating:4/4

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Oneof the most fascinating after-effects of the March 2011 tsunami and nucleardisaster at Fukushima has been the brutally clear glimpses it provides of whatcan happen when modern human towns are suddenly abandoned; how nature slowlyreclaims what belongs to it; what it feels like to walk down streets stillplastered with all the accoutrements of modern life, yet utterly devoid ofpeople.

Thebest art is able to confront this dissonance head-on, and The Abandoned Land, the first- and due to his untimely death in anISIS-inspired attack in Belgium last year, last- film directed by Belgian soundengineer Gilles Laurent, is a considerably powerful example of this. The shots Laurent presents of places left torot feel unreal, almost staged, like they are too perfectly apocalyptic. Except, of course, they aren’t, despite thepowerful sense one gets watching this film that you are glimpsing a place lostto the sands of time; they are very much real, and are very much here, rightnow.

Caughtwithin this strange wormhole are a handful of stubborn residents of the town ofTomioka, located right nearby Ground Zero of the Fukushima catastrophe. For various reasons, these handful of olderresidents either stayed put after the meltdown, or returned very quicklyafterwards. They now truly live on thevery edge of society- the government knows they’re there, but seems unwillingor incapable of forcing them to move, so they are let be, and live pretty muchas they can, even growing and eating food out of soil supposed to be tooirradiated to be safe for farm use.

Mostlyseen as a curiosity, they continue their lives even as governmentdecontamination efforts continue around them. The shots of these people wearing regular clothes, open to the air andsun, alongside radiation workers covered head-to-foot in full-body protectivesuits almost feels like an endless, silent joke the movie is letting us inon. The same goes for the shots of singsand awareness campaigns from either the company or the local government abouthow important the environment and health is to them, as run-down and overgrownas the rest of the abandoned lands they are found in. It is jarring. It is dissonant, but also darkly comic (in avery Dr. Strangelove sort of way), andno active commentary is needed.

Themovie is suffused with themes of dying and passing away as a part of nature; itmust happen so that life may move forward and something new may rise from thewreckage of the old. These forgottenpeople in these forgotten lands know that the towns and communities of theirpast lives are gone forever, and that things can never return to how they oncewere. Something new will surely comearound eventually to take its place, but they won’t live to see it, and theiracceptance of this fact and resolve to live on in spite of it is a mixture of pitiful,heartbreaking, courageous, and beautiful.

Laurenthad mostly worked in sound prior to making this movie. Friends said he could see sounds the way mostdirectors see color and light, and this talent is on full display here. Sounds of the natural world ping in and out,adding layers and texture to everything we see that mere imagines could notfully convey.

It’salmost ironic, that Laurent’s first feature film would focus so much on deathand ending, and be followed by his own violent and untimely death lastyear. It lends a sadder weight toeverything we see, especially when the director makes a brief cameo abouthalfway through the film. Even though weotherwise never see or hear him- he was known for having a keen sense of theimportance of removing oneself from the subject in documentary work- theknowledge that he’s there, behind the camera, and soon won’t be there, andindeed will never be there again, is inescapable.

The Abandoned Land is a masterful andimportant piece of documentary filmmaking from a talented filmmaker who wastaken from us far too soon. Despitethis, I am confident that it will stand the test of time as a fitting legacy toboth the man who made it, and the people it focuses on, allowing both somemeasure of deserved immortality.

-Noah Franc