You apply a conversion LUT to your footage, then you color grade or apply a second LUT for the look. The generic LUTs (LOG to 709 and 709 to LOG) may be useful under certain conditions (low light, high ISO, underexposed or overexposed scene, etc). There are 4 folders for each camera with 10 LUTs in each folder. Compatible cameras - Sony A7S, A7S2, FS700, FS7, FS5, RED Cameras, DJI Drones, MAVIC PRO, PHANTOM 4 PRO and others that support these log settings. As soon as you complete your purchase, you'll instantly get a download link. No waiting time.

The evolution of camera technology means that the sensors in modern cameras are now capable of matching, or even surpassing, the quality of 35mm film. The problem is that existing video formats don’t support the vast amount of information captured by a modern camera sensor. The result: reduced dynamic range and colour information.S-Log is a gamma curve designed to record and transmit as much of the information recorded by your camera’s sensor as possible. S-Log breathes life into your images by preserving the wide colour gamut and dynamic range recorded by the sensor.

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Then, in post-production, you create the image you want as part of the grading process, with greater artistic control over the finished product.Experience a world of creative possibilities with S-Log from Sony. When shooting in S-Log, colour grading is essential in post-production to display the footage on a standard REC.709 monitor. Due to the vast amount of information recorded in S-Log footage, the image needs to be tuned to fit the REC.709 standard. The advantage of this is far greater control over the finished image than would be possible with material shot natively in REC.709.Sony Look Profiles are designed to simplify the colour grading process. Supplied as 3D LUT (Lookup Table) files, our Look Profiles convert footage shot in S-Log to the REC.709 standard, making it easy to achieve dazzling images with S-Log, even for beginners. For more advanced users, Look Profiles provide a useful starting point to begin the colour grading process before making further fine adjustments.

Proud to be the #1 Camera-Brand Subreddit!This is a Reddit's best source for talking about the Sony Alpha photography system. Sony E Mount, Sony A Mount, legacy Minolta A mount, our spiritual cousins in the RX series.

Pirate hat and eye patch craft. All are welcome here. We're a helpful community. Let's make some art together!:.be kind to each other.one (1) image post per day.Safe for Work (SFW) images only.include gear info in post title.use the weekly gear questions thread!.no spam.no 'for sale' postsInstagram tag:Join our groupCheck out the.Links:. So I finally received my A7rii, and am diving headlong into the world of video, after being a primarily stills and timelapse photographer for the past 7 years.I am trying to learn Davinci Resolve, and it's like learning photography all over again.I have found a few 3D LUTs that work well.

First, Alistair Chapmans collectionAnd second, my favorite so far, this free Slog2 to Rec.709 LUT (They just ask for your email.)I was wondering if you guys know of any other good base LUTs (not looking for anything too stylized)? I'll probably end up paying for a collection, so link to payed collections too if you can vouch for them.Thanks!. I would second the recommendation from to only record slog2 when you exceed the DR of a rec709/cine picture profile. The A7r2 records compressed 8-bit 4:2:0 footage in 4k internally, which just doesn't really stand up that well to the kind of aggressive grading you need to apply to log footage.Think of it this way - when you're shooting timelapse stills, you get 14-bit RAW files with no chroma subsampling. These stills can stand up to an incredible amount of adjustment in post because there's so much information recorded. In comparison, shooting with an 8-bit codec, you have 64 times less information to work with, and that's before we even take into consideration the effect of 420 subsampling and compression to 100mbps.

Not only that, but you have to grade the resulting image much more aggressively than you would a RAW still to get them to look right.Also, consider the technical limitations of being stuck at a minimum ISO of 800 in slog3 mode on the A7r2 without a built-in ND filter. This means in bright daylight you're basically losing 2 corners of your exposure triangle, so you'll likely have to compensate with a variable-ND (more hassle to deal with) or by sacrificing the ability to choose a specific aperture setting for creative effect.I'm not saying all your log footage will look like trash automatically. In fact I just finished shot on an RX100m4 where all the realtime day shots were slog2. The RX100m4 shoots the same 100mbps 8-bit 4:2:0 codec in 4k as the A7Rii, and after the grade the daytime shots aren't awful, just not as good as they could have looked. If I could do it again though, I would shoot the rec709 profile as much as possible.Most paid LUT packs will include both rec709 and generic LOG versions of each LUT anyways, so it's still simple enough to roughly match your graded clips in post. If you're just getting into video learning coloring 1st might be a bit much at this point but seeing as though you have the background maybe not.

Sgamut is what you're actually after here, Slog2 itself is pretty easy to grade with the contrast slider. People use them interchangeably which doesn't help. I will tell you this, dont only shoot in slog2 because it's meant for high contrast scenes. Indoors or any normal lighting you're better off with a Cine profile. But make sure you are consistent with the color space (gamut) between picture profiles with different gammas!Also you're in the wrong forum. This place is pretty much for dog photos. Gamut = color space.

Every color space that isn't a type of SGamut is a type of Rec709/sRGB. The issue with the other color spaces is that you will have little to no latitude to change anything later and it 'just works.' Some may prefer this, 'getting the look in camera' but it's baked in and can't be changed. It's actually preferable for anything that isn't film-like that won't be graded. Slog2 is the gamma curve, it's a log curve for preserving shadow and highlight detail.

It's squeezes down the dynamic range into something you can bring back in post. Ungraded Slog2/Sgamut looks terrible and you also must use a higher ISO and overexpose when you shoot. Overall its likely not be worth it unless you're trying to make a film. Like I said, this isn't the place for this discussion. Head over to.

Also see liftgammagain.com, EOSHD forums, and especially Xdcam-user forums.